From the Artist
About Violin Metal: Code Zero
Violin Metal: Code Zero started as a challenge to myself: how fast can a track grab you? Most of my songs build — they take their time, they breathe. Code Zero doesn't. The hook is there in the first bar, the violin riff is the kind of thing that loops in your head before the song's even over, and the whole thing is built to move.
“If it grabs you, the full LITURGY OF ASH album takes the same energy and stretches it across a whole record.”
The name comes from that idea of starting from nothing — code zero, a clean slate, the moment before the first note. I wanted a single that felt immediate and modern: tight production, a violin line that behaves like a vocal hook, and a breakdown that hits without a long runway. It's instrumental violin metal stripped to its most direct form.
This is the kind of track I write when I want to remind myself that violin metal can be catchy, not just cinematic. The lead violin carries the melody the whole way through — no vocals, no filler — over distorted guitars and double-kick drums that keep the energy pinned. It's made for the moment you hit play and need something to actually land in the first few seconds: gaming, training, driving, or just turning it up.
Code Zero is the newest Smoke-Oh single and a sharp little preview of where the sound is heading. If it grabs you, the full LITURGY OF ASH album takes the same energy and stretches it across a whole record.








