From the Artist
About Violin Metal Instrumental V3
I put this collection together because there's something electric about letting a violin actually lead in metal instead of just adding texture on top. Violin Metal Instrumental V3 pulls from nine tracks where the fiddle isn't decorative—it's the driving force. You've got stuff like Angry Violin and CRAZY VIOLINCORE GIRL where the bow work is as aggressive and technical as any shredding guitarist, trading off distortion and speed without apologizing for either. The Celtic roots come through strongest on Violincore Celtic Dawn, where galloping fiddle melodies sit right on top of that heavy foundation, the rhythm underneath keeping everything locked even when the melodic lines get busy.
“What I kept circling back to while curating was how different string traditions hit differently under distortion and drums.”
What I kept circling back to while curating was how different string traditions hit differently under distortion and drums. Silent Screams, Violent Strings leans into orchestral stabs—shorter, sharper attacks from violin and shamisen against metal percussion. Then there's Moonlit Sakura, which is quieter relative to the rest, letting guzheng and violin breathe over Celtic progressions before everything locks in. I wanted tracks where you could actually hear the playing technique—the tremolo, the pizzicato underneath the sustain, the way a violin can articulate just as hard as a guitar can.
The collection sits somewhere between classical instrumental metal and folk-influenced extremity. These aren't songs trying to be mainstream metal with strings added. The strings are the metal.








